HOLD THE DATE:
2020 Butoh Encounters: bio-art // Pilot project
January & February 2020
Many Butoh dancers refer to their bodies on a micro-level as collection of cells, or describe internal processes that they work with even though they are not visible to the audience. Min Tanaka wrote: "Butoh is about the body seeking freedom from human and cultural programming. It is a revolution of the body. Perceiving the body as a colony of trillions and trillions of cells, each with its own memory, resonating with life, co-creating life, makes it possible to drop the mind and sink deep into the body to dance the whole of existence" and Toshiharu Kasai claimed: “A Butoh dancer can appear to be standing still while he shifts the air in the right lung to the left via his/her trachea with indiscernible bodily movements”. Yet, it is unknown what this internal micro-level is like and it remains considered purely as a metaphor. We, however, recognise a great potential in exploring this idea literally with the use of microbiological science.
We have collaborated with prof. Erik Johannessen from The Institute for Microsystems at Universitetet i Sørøst Norge to observe moving white blood cells of the Butoh dancer Azumaru. We have also run a workshop with the scientists from The Centre for Cancer Cell Reprogramming at Universitetet i Oslo, working together on a choreographic material based on the newest knowledge and visual images of cancer cells and their behaviour.
This pilot project will be further developed into a full scale production later this year.
Director & producer: Karolina Bieszczad-Roley
Co-director & designer: Adam Bartley
Laboratory work: Erik Andrew Johannessen
Scientific collaboration: Harald Alfred Stenmark (Centre for Cancer Cell Reprogramming)
Documentation: Stein Stie